
Young dramatist impresses
A young dramatist showing a lot of promise has turned a simple Indian folk
story into a beautiful drama providing a fine evening's entertainment.
The young man is Thumindu Dodamtenna. The play is titled 'Arundathie'.
It has already grabbed nine awards (including ones for Best Script &
Best Production) at last year's Youth Drama Festival and is among the final
six at this year's State Drama Festival.
'Arundathie' is an original play based on an Indian folk theme woven
round the caste issue. "I was inspired by a book written by my father and
wrote the script based on it," Thumindu says. 'Sannishad' is the title
of the book.
Thumindu's clever presentation of the story makes it an interesting
drama. His cast does a superb job. They all looked first-timers doing a
fine job. None of the better known faces were there. Watching their performances,
it wasn't surprising that three of them had won the top awards at the Youth
Festival - Jayanath Bandara and Gayani Liyanarachchi (Best Actor and Best
Actress) and Hashinika Karalliyadde (Best Supporting Actress). Dharmapriya
Dias playing the role of a crafty Brahmin deserved the Best Supporting
Actor's award.
Then there was the chorus who also doubled up as a dance troupe. They
were full of life, their singing was good. Tarupati Munasinghe's music
score was delightful. (He too had bagged the award for the Best Music score).
The other awards had been won by Sumedha Hewavitarana (make-up), Prasannajith
Abeysuriya (costumes) and Vasantha Kumara (lighting).
'Arundathie' shows there is tremendous talent among the youth when it
comes to the performing arts. They have a lot of imagination, plenty of
ideas and above all, they know what to present as clean entertainment.
Amidst the trash that's dished out in the name of drama, it is a consolation
to see that there are yet others who are capable of presenting something
really absorbing.
'Sugar' departs
He lived a simple life. He died a simple man. He went on his last journey
in the most simple manner - just the way he wanted. Educationist and drama
enthusiast H. D. Sugathapala had laid down how he should go on that journey.
The body to lie in the Raymond's funeral parlour. No flowers. No flags.
No obituary notices. A simple funeral and the ashes to be thrown into the
Katugastota river flowing behind his 'maha gedera'.
This column paid him a tribute when he reached 90 last February. His
service to Sinhala theatre was highlighted.We called him a stalwart of
the sixties. He had rendered a great service as Chairman of the Sinhala
Drama Panel. He improved the Lumbini Theatre, opened the doors of Royal
Junior (where he was Principal) for dramatists to rehearse, built the Navarangahala,
streamlined the State Drama Festival, fought for the rights of dramatists
- in short, worked hard to bring the Sinhala theatre to the position it
is today.
He led a quiet life after his retirement. In recent years, he enjoyed
serving on the panel of judges selecting the best entries at the annual
Eagle safety poster competition. Two years ago, at the end of the judging
he said, "Lamo (the endearing term he always used), don't bother me hereafter.
I am too weak to be going up and down." We enjoyed his company. We listened
to his interesting tales and we admired his clear judgement. |