He leads a simple
life
Once
a very active personality in the performing arts, Premakumara Epitawela
has not been in the limelight in recent years. Though on a low key,
he continues to serve the arts as well as other forms of social
service through the Tambapanni Institute in Peradeniya, which he
set up in 1950. His effort is to uplift the not so well to do section
of society.
During the
past 50 years he has been able to train talented youth in numerous
forms of art and craft, creating employment opportunities for at
least 150,000 youngsters. Among the crafts taught at the Institute
are batik, paper-making, handloom, cane work, leather work, wood
work, sewing, pottery, dairy farming, vegetable and fruit growing,
beekeeping and compost manure. They are also given language training.
"I have
tried to instill our treasured values amongst the youngsters. They
are encouraged to dress in the clothes made at the Institute. They
are made conscious of the need to protect the environment. They
are taught methods of saving their earnings," Premakumara explains
in his life story, 'Divipavatha', the simple but attractive Stamford
Lake publication.
Premakumara
calls his effort 'Siya Saviya' - a programme based on self-sufficiency
and self-reliance. He leads by example. "My philosophy is to
lead a simple life using what is available locally. My rural and
Buddhist background (he was born and bred in the distant village
of Epitawela in Sabaragamuwa) and my experiences with the outside
world, made me realise that ours is a great land. We can develop
it through a Buddhistic economic and social framework. Although
it can be built up using different cultures, the base should essentially
be our own culture," he insists.
Many were the
obstacles he faced in trying to promote his concept of a truly indigenous
form of living. "Looking back on my life, I hold no grudge
against anyone although I have faced many odds whenever I made a
suggestion or tried to do some useful work. I never felt discouraged.
I never felt unhappy," he says.
He is quite
content as he reflects on the service he has rendered over five
decades. "I have never accepted the tax payer's money by way
of a salary. I have never enjoyed any rights and privileges nor
accepted any post through political or other means. I have taught
numerous crafts and trained the youth without accepting a cent.
This was done solely though my effort, my wealth, my knowledge and
my experience".
The 'ballet
master
'Premakumara
Epitawela is best known as the producer of at least half a dozen
ballets in the fifties. He came into the limelight with 'Selalihini
Sandesa' in 1950 followed by 'Thiththa Batha' three years later.
He virtually presented one ballet per year till the mid sixties
and a few more thereafter. 'Diyasena' (1955/56), 'Sarabhumi' (1958),
'Sakuntala' (1959), 'Navayugaya' (1961), 'Hansa Vannama' (1962),
'Pareviya' (1963/64) and 'Aswenna' (1967) were among those.
In recent years,
he has taken a keen interest in the environment. In fact, his last
ballet, 'Randiya' (1994) was described as the first environmental
national ballet.
Premakumara
has also been a prolific writer. He has over 15 publications to
his credit. He had presented an exhaustive plan to set up an aesthetic
university and another for the Sabaragamuwa University. An environmental
plan to develop the Mahamevuna gardens in Anuradhapura was submitted
a few years back.
A man who depends
on his own paddy field for his rice, eats home grown vegetables,
drinks the milk from the cow he rears, wears the cloth turned out
in his own Institute's handloom machines, and writes on paper he
turns out from waste material is indeed a rare character. Premakumara
Epitawela is one of a kind.
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