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Cave temples, palindromes and hot wells

By Sirancee Gunawardana
Early one morning we assembled with bag and baggage for an overnight stay in Embilipitiya. Clothes were packed, water bottles filled, and food - some ambul thiyal and polos browned black and smothered in thick gravy and hot rice in a woven wedding bathpettiya - brought from Kurunegala.

All of us were anxious to make an early start. After a while the special bus came rattling along. The organizer was aghast. She had expected a special bus to be 'special' but this was not. As it was already one hour behind schedule, we scrambled in and unloaded our things. It was relatively clean and we decided not to notice the gaps in the seats and the torn upholstery. Before long, we were merrily on our way.

There were 20 of us going to Embilipitiya for the night to a small but comfortable house with a huge mango tree in the garden. Most hadn't a clue where Embilipitiya was except that they had read snippets of kidnappings of school children in the local newspapers.

Our destination was the Sankapala Temple located in Palabadde on the Nonagama Road in the Ratnapura District about twenty miles before Embilipitiya. This old temple, which dates back to the 2nd century BC, has an interesting history. The temple is on top of a mountain in a craggy outcrop of huge rocks and deep caves.

The Palabadde village area is flat land and the Sankapala mountain towers above in striking contrast.

The Sankapala cave complex and Palabadde village are said to have been given to Pussadeva, the warrior and conch blower in King Dutugemunu's army, for services rendered in the Elara-Dutugemunu war. The motif of a conch is engraved in the rock 20 ft. above the cave and is still visible. It is significant that the name Sankapala - Sanka means conch and Pala - the administrator refers to the conch blower in the King's Army.

There was also another Sankapala in the King's Army who later became a monk and the engraving could refer to him. He is said to have built the temple on this spot and the numerous caves that are found in this gneiss outcrop were converted into abodes for monks. There are several Brahmin inscriptions close to the drip ledges of these caves, which in traditional style give the name of the donor. One states "Puha Pusa Thevas' Lena Sangaya" in Brahmin script meaning Pussadeva donated this to the Sangha. The other inscription states that the cave belonging to Pussadeva and the householder Gupta is gifted to the Sangha.

There are several caves. It is said that a large number of monks once inhabited this monastery and that it was one of the largest in the southern region. Pussadeva who lived in the Kappitiya village was a good archer and could wield the bow and arrow with great skill. He was an asset to Dutugemunu's army and his bow and arrow are said to be preserved in a cave though not seen.

The Sankapala temple and monastic complex flourished in the time of Walagamba till the great famine, which forced monks to flee to other areas. The temple then fell into disuse and became part of the jungle. It is believed that Pussadeva's conch is hidden in one of the caves. At the summit of the rock is a rock slab. There is a small, modern stupa now. Huge boulders are seen around it. It was interesting to see the folk ritual where people leave tender sticks below the huge precarious rock boulder ostensibly to prevent it rolling over. There are hundreds of these little sticks left behind by pilgrims. From the top of the mountain you have a panoramic view of Deniyaya, Suriyakanda, Ratnapura and the Balangoda mountain range and in the distance you can see the Samanalawewa.

The cave shrine is at the foot of the mountain. When the temple complex was overtaken by forest growth and there were no visible signs of the once flourishing monastery it is said that during the time of King Rajadhi Rajasingha who ruled in Kandy, he was warned that a learned Southern Province monk Karatota Dharmarama had conspired with the Dutch. Without more ado Ven. Karatota Dharmarama was imprisoned. Being an erudite scholar Karatota Dharmarama Thero while imprisoned wrote a scholarly petition to the King eulogizing the Buddha and pleaded his innocence.

The King and his nobles were not able to decipher the meaning of the petition as it had been written with scholarly skill as a palindrome and could be read from left to right and right to left and up and downwards. The monk was summoned and asked to read it. The King was impressed and in contrition endowed the Palabadde lands and the Sankapala temple to the monk.

We were struck when we saw the door leading to the cave which has the petition in palindrome form written on it. The guide who took us round sang it in verse. He had memorized it. I was especially interested in it as when I was doing ola research, I came across a palm leaf manuscript in the National Museum, which has a palindrome. It is a special art and poetic form.

It is also an interesting fact that the monk who composed the temple palindrome was the teacher of Gajaman Nona, the famous Southern Province poetess. We walked around the monastic complex. The caves are dark and unbelievably cool. It takes awhile for the eyes to get used to the darkness within the cave when you come in from the glare of the noonday sun.

In one of the caves, there was a reclining Buddha statue of more recent vintage and a statue of the Kataragama God. The ceiling of the cave was ornamented, and soft lighting and incense gave it a reverential atmosphere. In another cave there were three statues, though the original Buddha statue in the shrine room has been destroyed. The rock boulders, caves and the beautiful scenic setting of the temple made it a peaceful place to be in.

We had a late lunch and then headed for the hot wells at Mahapalessa. Getting off the bus, we had to walk about half a mile with mud squelching between our toes. The rough gravel road was slippery and there were squeals of laughter as every now and then someone's slippers got stuck in the mud. We passed an interesting brown mud hut with a bright turquoise blue wooden door and thatched roof, plonk in the middle of a paddy field. It made a pretty picture, the different browns and bright turquoise and vivid green of paddy and the blue sky.

We walked on across a marsh, passing thatched sheds selling boiled corn, kurakkan, packets of lotus seeds and bottles of fresh bees' honey, escorted by a bunch of young urchins, bare-bodied and brazen with uncombed hair and dirty clothes. They ran hither and thither collecting bulrushes, which they sold to us at Rs. 10/- a bunch. We could hardly concentrate on anything other than where to tread. The slightest distraction and you found yourself slithering in the mud, your feet in different directions.

The children laughed at our antics. They had no problems running barefoot, splashing mud all over themselves. We got to the hot wells and draped in cloths, multi-coloured and half transparent, without a care, dipped into the hot water with buckets and bowls. The first splash made you gasp as the water was very hot but gradually you got used to it and it was delightful bathing in hot water in the open air with the rain clouds above you and no one in sight for miles around except of course, the little urchins who were busy bulrush picking. There were loud peals of laughter as clothes threatened to float away. Away went aches and pains and woebegone faces. Bodies glistened with drops of water. Curly hair got straightened or so we thought. But who cared. It was fun.

Re-visiting old haunts

By Marjorie Wheatcroft
Harold Ellis Dallas Pearce first came to Ceylon in June 1925 to take up an appointment as a District Engineer in the Public Works Department. He and his young wife Helen lived at Mount Lavinia and Colpetty for a few months, whilst he worked in Colombo on the new Secretariat building and the new Customs House.

He was then transferred to Matara, where his primary job was constructing new buildings, including the Residency on top of the hill, and looking after the network of roads and bridges. They lived at Star Fort and their first child, my sister Gillian, was born there in 1927.

When they returned after a spell of leave in England, he was posted to Dimbulla/Dickoya and lived in the District Engineer's bungalow overlooking the beautiful Devon Falls. It was during this time that I was born at the Hatton Nursing Home. We lived at Diyatalawa from 1935 to 1937 and then moved to Jaffna. My sister was boarded at Haddon Hill School in Nuwara Eliya, so only I went with my parents to Jaffna and still remember going to a day- school in a rickshaw. We were all in England on holiday when the war broke out and my parents were advised not to bring us back to Ceylon. The two of us were boarded in school in the southwest of England and did not see our parents again for another five years.

My father's last period in Sri Lanka was in Kegalle. In 1942 after the fall of Singapore, the Government advised the evacuation of foreign wives and my mother opted to go to South Africa to do war work. It was only after the war that we, whom they could hardly recognize, were reunited in England.

Two years ago, my husband, Retired Brigadier Alan Wheatcroft, (ex-Sandhurst and one-time British Defence Attache in Washington) and I, (we now live in Dorset, England) came on holiday to Sri Lanka.

Thanks to our good friends Edgar and Madonna Cooray who introduced us to Airwing Tours and their best driver Mithra, we re-visited most of the places above. We were amazed how little the D.E's bungalow in Dimbulla had changed. Mr R.M.A Wijayaratna, the present occupant readily showed us around.

The Hatton Nursing Home where I was born is the Police Superintendent's office, and the kind gentleman and his officers gave us a conducted tour. We stayed a few days at the Light House Hotel in Galle and made daily excursions further south, visiting the Matara Fort and the Residency.

I count myself lucky to have sprung from three beautiful islands. My father was born in Jamaica, my mother in the British Isles and my sister and I in Ceylon. We will definitely come again, for a very much longer stay the next time.


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