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Kala Korner by Dee Cee
On to the festival round
Come September - it's festival time in Japan.

The International Film Festival in Fukuoka, Japan is of special significance to Sri Lanka this year. The focus will be on New Sri Lankan Cinema. This is to signify the completion of fifty years of diplomatic relations between Japan and Sri Lanka.

A scene from Mage Vam Atha

Six Sinhala films have been selected for screening at the Fukuoka Festival beginning September 13. The week -long Festival will feature Lester James Peries' latest creation, 'Wekande Walauwe', Linton Semage's 'Mage Vam Atha', Bennet Ratnayake's 'Aswesuma', Sunil Ariyaratne's 'Sudu Sevaneli', Vasantha Obesysekera's 'Theertha Yatra' and Tissa Abeysekera's 'Viragaya'. Except for 'Viragaya', the rest are either recent releases or ones which are awaiting release.

The choice of 'Viragaya' is to coincide with the launch of the Japanese version of Martin Wickremasinghe's novel on which Tissa based the film. A seminar is also being planned.

A treat for the Sinhala reader
Gevindu Kumaratunga is somewhat different from other publishers. He is very selective in his choice of books. Having observed his releases over the past few years, his mission is obvious. He wants the Sinhala reader to enjoy good writing. His service by way of providing the non-English reader a chance to appreciate early writings by noteworthy English writers, particularly about our country, is praiseworthy. He has also been picking classic works (H. W. Cave's 'The Ceylon Government Railway' is an example) and reprinting them.

Gevindu's latest effort is 'Davy Dutu Lankawa' - a translation of 'An Account of the Interior of Ceylon and of its Inhabitants with Travels in that Island' by John Davy, one of the first writers to travel in and observe the Kandyan Kingdom immediately after its conquest by the British in 1815. Physiologist and anatomist Davy joined the British army as a surgeon and arrived in Ceylon in August 1816. He served here until February 1820 and was a close observer of the great Kandyan Rebellion which took place in 1818. After returning to England, he published the book in 1821. It is said that unlike other writers, he was not content on relying on second hand information. What he wrote was based on first hand knowledge. He was so curious that he travelled the length and breadth of the country, exploring many areas were unknown to foreigners at that time. Thus what he recorded was absolutely accurate.

Many should enjoy Ellepola H. M. Somaratne's translation of Davy's work, which is among four publications to be launched by Gevindu's firm, Visidunu Prakashakayo on September 10 at the Visidunu stall at the International Book Fair at the BMICH.

Another classic to be released that day is 'Napoleon' - the Sinhala version of Emil Ludwig's 'Napoleon' acclaimed as the best work about the life and achievements of Napoleon Bonaparte. Translator Seneviratne has been a keen student of European history from his Peradeniya university days in the fifties and had earlier done several books on Europe. He gained recognition as a versatile writer when UNESCO awarded him the prize for the best work promoting international understanding for 'Europeeya Dayadaya' in 1958. He followed it up with 'Noothana Europya' (1962) and 'Aparadiga Atheethaya' (1992). In between he translated Arthur C. Clarke's 'A Fall of Moondust' ('Chandra Sancharakayo') and Nalini de Lanerolle's 'A Reign of Ten Kings' ('Dasa Raja Puwatha'). His translation of Emerson Tennent's 'The Natural History of Ceylon' will be released shortly.

Hair - raising Tommiya
By Thiruni Kelegama
In need of a few laughs to brighten up your day?

Well, Indu Dharmasena has just the thing for you! She promises you a whole lot of laughs and swears that you won't be disappointed.

Yes! Another 'Tommiya" play is to hit the theatre world very soon.

"Madai Tommiya Hair Show Kala" the newest comedy by Indu Dharmasena will be staged at the Lionel Wendt on September 13, 14 and 15. The first Tommiya play was "Madai Ithin Dubai Giya". This is the eighth in the hilarious Tommiya series.

"This is certainly one of the best Tommy productions. It is very colourful and given the many complications and the intrigue, this should be a massive success," was the thought echoed by each member of the cast when asked whether this Tommiya play was going to be any different from the previous ones.

Andana Silva's cousin Sally who is an established fashion designer and owns a dress boutique in Los Angeles arrives in Sri Lanka with her friend Cassilda who is the representative for a world- renowned hair product range. The purpose of their visit is to launch the range of "Bella" products in Sri Lanka. Andana and his team are commissioned to do a hair show with a difference for the launch. Sally has an ulterior motive in volunteering to design the outfits for the show. A big buyer by the name of Gunnay Cheap, that Sally and her arch rival Lisa have been after is here in Sri Lanka for a holiday. Therefore, Sally plans to invite Mr. Cheap for the show without Lisa's knowledge. But Lisa has called her cousin Peter and instructed him to somehow stop Sally from meeting the buyer.

So the preparation for the show begins. Cassilda, whose Sinhalese is not very good wantsTommy, the simple country bumpkin who doesn't understand English very well to be in charge of the hair show. Then the comedy begins.

Throw in Peter who is trying to sabotage the show, add professional models, aspiring models and mix it with jealous boyfriends and garnish it with mistaken identities and the result is a recipe to keep the audience in fits of laughter.

Indu plays the ever so famous Tommiya while Michael Holsinger brings to life Andana Silva yet again. The well-known Angela Seneviratne plays Sally and versatile Krys Sosa, Cassilda. The scheming and ambitious Peter is played by Dayan Dias Abeygunawardene and his not so bright girlfriend is played by Priyanka Holsinger. Catriona Nicholas plays Pertunia, a well-established professional model 'who loves men!'. George Cook plays Adnan, whose one ambition is to become a professional model. Andana's able assistant Tony is played by Danushthan Innasithamby. Shohan Chandiram plays the harassed choreographer Yohan and Thulitha Piyasena plays Toby, Pertunia's present boyfriend. The rest of the cast comprise the models for the show.

"I got the idea for this play mainly because I helped out in a fashion show some time ago. The play does not reveal any of the things that happened there... I just used the situation as I thought it would be funny to incorporate it into a Tommiya play," says Indu when asked why the play revolved around a fashion show.

"We tend to like to laugh at people who pretend to not speak Sinhalese, and that is exactly what Cassilda is doing," Indu says. So in the end we have Tommy murdering the Queen and Cassilda murdering the Sinhala language.

Catriona who plays the man-eating Pertunia says that her role is spiced up because she 'cannot see men without flirting with them'. "My present boyfriend, Toby is afraid that I might dump him and go out with Adnan who is my present object of affection."

"The choreographer Yohan is someone to watch out for," says Shohan who plays his part. "He is irritable, emotional, extremely hyperactive and a drama queen, not a king."

The make-up and the hair is done by Conall Beekmeyer of Rumours.

"Madai Tommiya Hair Show Kala" will go on the boards at the Lionel Wendt on September 13, 14 and 15 at 7.15 p.m.

Centenary songs of joy
"One hundred voices in harmony" to celebrate the centenary of Holy Family Convent, Bambalapitiya was indeed a spectacular event. The show was put together by Soundarie David. She is one of the most sensitive accompanists in this country and her musicality legendary. Under the expert guidance and inspiration of Soundarie and with the participation of the Peterite Chorale, the evening lived up to our expectations.

The concert opened with 'The Ode to Joy' by the past pupils. 'Glorious things of Thee are spoken' was harmonized beautifully with an accompaniment by the ensemble which brought out the richness of this national anthem of Germany.

The Lord's Prayer by Mallotte was sung with meaning by the senior school choir and the Peterite Chorale. 'The 'Sound of Silence'' created a real sensation of the eloquence of silence.

The primary choir singing "Any Dream Will Do' and "I'd Like To Teach The World To Sing" got a thunderous applause, perhaps because the little ones were so natural on stage.

After the interval the Peterite Chorale sang a medley of songs. They really enjoyed singing 'Moonlight Bay' and the orchestra too went to town. Radha De Mel's solo was an eye opener to the musical and dramatic talent available in this country.

The medley of Rodgers and Hammerstein songs was well arranged with the change of keys and rhythms well executed.

By the time the Hallelujah Chorus was sung, however, the choir was tired of concentrating so that it lacked precision.
-Dr Selvie Perera

Two-way street to mutual understanding
"Indeed, although I once lived alone for twenty months in an annexe to a house in Colombo, I do not think I have ever felt lonely in Sri Lanka. There have always been people to speak with and things to catch my interest. Short trips to the market to buy bread or a newspaper could be strangely satisfying and enjoyable...As a curious twenty- five-year-old American, even squeezing onto a small private bus with thirty or so other people could be an interesting as well as uncomfortable experience. I would think, "Can I really fit? If I get in will I be able to get out again?

"But riding the bus is also an opportunity to see a side of Sri Lanka that foreigners rarely see. It displays a slice of life that, from an outsider's perspective, is intriguingly unstructured and unpredictable. People from all walks of life are instantaneously thrown together and left to interact while riding a bus. I recall watching with keen interest to see who gave up his seat to a mother with a young child, who offered water to a passenger who fainted on a hot day, and how people reacted to the scene where a woman slapped and scolded a man who sexually assaulted her." -

So writes Stephen Berkwitz, an American who lived and studied in Sri Lanka in the 1990s who is now attached to the Department of Religious Studies at South West Missouri State University. His article titled, Sri Lanka - A Matter of Heart, which is included in Excursions and Exploration, a collection of essays, gives the reader the clearest indication of the spirit and essence of the book.

Inspired by H.A.I Goonetilleke's Images of Sri Lanka Through American Eyes, Excursions and Explorations, what could be called the contemporary version, reaches beyond the scope of the original book and presents the reader with more than just an academically presented collection of viewpoints of Sri Lanka written by explorers bitten by the wanderlust bug.

Through the space of 34 essays, edited by Tissa Jayatilaka, Excursions and Explorations traces the cultural encounters between Sri Lanka and the United States. Launched in celebration of the 50 year long Fulbright Academic Exchange Programme between Sri Lanka and the United States, the book, both acknowledges and celebrates the diversity of the two cultures through very personal insights.

Juxtaposed, as far as possible, with the experiences of Sri Lanka through American eyes, are experiences of America through Sri Lankan eyes, making the book a marriage of sorts. The Sri Lankan viewing America sees more in the American culture than the average observer who is perhaps tainted by his suspicions of such a culture. Writes Mario Gomes: "Looking back I am not entirely sure why I was anti-American in school. No doubt it was trendy, at least among some circles and sometimes these fashions of thought grip you tightly."

Ranjini Obeyesekere's (Visiting lecturer, Princeton University, New Jersey) account takes us to the heart of the American people. She records: "In September 1961 I flew into Seattle with two young children aged three years and one year. It was not an easy journey...

"By the time the plane reached Seattle we were exhausted. I woke my sleeping three-year-old telling him his father would be at the airport and we better hurry down. He marched eagerly to the exit door expecting to see his father at the bottom of the gangway. When he didn't, he sat down on the top step and bawled. Carrying my other child and the bulky hand luggage I tried to drag this howling child down the steps. He would not budge. I was desperate and embarrassed and I was holding up a line of passengers eager to get out. Just then a burly man behind me lifted the crying child carried him down the steps and deposited him in the immigration area. I was relieved and grateful. It didn't stop the crying which now went into a hysterical register but at least we were off the plane. Harried, I walked to the immigration officer and said, "Can I please go out, leave this child with his father who is waiting outside the room and come back to fill the forms". This was my first experience of America - unexpected acts of kindness from total strangers."

If there is one certainty about the writers who sent in their contributions for this collection, it is that they are those who truly learnt to love the foreign culture they embraced and found, in an alien land, a home. The contributors include Howard Wriggins, US Ambassador in Sri Lanka, 1977-1979; Jayatha Dhanapala, presently the Under-Secretary General for Disarmament Affairs at the United Nations Headquarters in New York; James Spain, former US Ambassador now resident in Sri Lanka; Vernon Mendis, Director General of the Bandaranaike International Diplomatic Training Institute, and former member of the Sri Lankan Diplomatic Service who served in the Sri Lanka Mission in the United States in 1948 and Thalif Deen, journalist based in New York City etc, thus making this account one that includes a range of views from those of diplomats to journalists, historians to academics, scholars to the single undergraduate.

For editor and executive director of the US-Sri Lanka Fulbright Commission, Tissa Jayatilaka, the book cements the work done by the Commission in its half-century of existence. "It is a two-way street that leads to mutual understanding and reinforces the idea of bi-nationalism, which is in keeping with the primary objectives of the commission."

The collection although diverse may, for the reader lack consistency of tone but that is to be expected in a volume which draws from a variety of sources rather than a single authority. Still, it makes up for whatever lack of coherence, in the animated tone that conveys warmth, interest and life. A tone, which prompted William Dawson (retired US Foreign Service officer) to pen: "I long for the day when a familiar voice will again ask, "Today was bloody humid, no?"
- Ruhanie Perera


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